Time Out São Paulo

Before Midnight: review

Before Midnight: review

Opens 7 Jun 2013

Director Richard Linklater

Cast Ethan Hawke, Julie Delpy, Seamus Davey-Fitzpatrick

Before Midnight (Antes da Meia-Noite in Portuguese) is Richard Linklater’s trilogy-capping return to the heady pleasures of a feature-length conversation. Before Sunset ended on such a perfect note – a heart-stopping ellipsis, a magical moment at the crossroads – that checking back in with Jesse (Ethan Hawke) and Céline (Julie Delpy) seemed to me like a mistake waiting to happen. But then, I thought the same thing when I heard that Linklater was making a sequel to his original 1995 Before Sunrise, which had a pretty wonderful ending, too.

What’s clear now, if it wasn’t before, is that the director and his stars/cowriters have been labouring on a grand, beautiful experiment: the life of a romance onscreen, decade by decade, in all its gory detail.

Here we are again, after nine years have passed offscreen and on, with Hawke’s sardonic American writer and Delpy’s feisty French philanthropist. Now in their forties, the two are not only together but the proud parents of twin daughters. ‘How long has it been since we just walked around and bullshitted?’ Jesse asks Céline early in the film, as they embark on another of their chatty, scenic odysseys.

For audiences, the answer is much too long; as with estranged kindred spirits, we don’t realise how much we’ve missed these loquacious lovers until we’re in their company again. First in a car – shades of Kiarostami – then among friends, and finally on the streets of Greece, the two fall back into the sparkling, lightly philosophical banter that’s come to define this wonderfully wordy franchise. Nobody writes dialogue – funny, thoughtful and organic – like the trio Linklater, Hawke and Delpy.

Yet those expecting sweet nothings and star-lit pillow talk should prepare for the way that Jesse and Céline’s union, like most real ones, has shifted and evolved over the years. If Sunrise was about the euphoria of falling in love and Sunset was about the bittersweet passion of reuniting, Midnight is about the hard, sometimes exasperating work of keeping a relationship together. (Without revealing how things play out, let’s say that we’ve never seen these two go at each other the way they do here.)

I’m done second-guessing the continuation of the story. At this point, I want one of these films every nine years for the rest of my life.

By A.A. Dowd


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